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^, Movies: Dil Chahta Hai was 35 % work, 65 % fun!.^ : 'I was very surprised with the three Oscar nominations for Slumdog'.It's Friday.'(merged threads) - Shah Rukh Khan Forum". ^ a b 100 Greatest Bollywood Soundtracks Ever - Part 2 - Planet Bollywood Features.^ "BBC - Asian Network - Top 40 Soundtracks of All Time".Planet Bollywood's 100 Greatest Bollywood Soundtracks Ever read, "What made Dil Chahta Hai album special at that time was that it was an experimental album and it worked a huge way." According to the Indian trade website Box Office India, with around 20,00,000 units sold, this film's soundtrack album was the year's eighth highest-selling. The way Shankar-Ehsaan-Loy used thickly layered orchestration and conveyed meaning through Timbre, Pitch and Melody rather than text, was then, probably new to Bollywood. The soundtrack stayed away from traditional Bollywood sounds and instead set a new standard for edgy, rock-influenced sounds. Udit Narayan, Alka Yagnik, Caralisa Monteiroĭil Chahta Hai is considered to be pathbreaking and one of the best soundtracks to have emerged in contemporary Indian music. Also, the song 'Koi Kahe Kehta Rahe' had three maestros (Shankar, Shaan, KK) coming together for the first time.Īll lyrics are written by Javed Akhtar all music is composed by Shankar Ehsaan Loy. They've also used various other traditional instruments like Dholak, Kanjira, Tabla and Flute. They also used the Australian instrument Didgeridoo, a wind instrument developed by Indigenous Australians of northern Australia at least 1,500 years ago for the song " Jaane Kyon". When they came back, they booked a studio and completed the recording in three weeks.

Shankar-Ehsaan-Loy along with Farhan Akhtar, Javed Akhtar and Ritesh Sidhwani went to Khandala to finalize the songs, which took a mere three and a half days. The trio had various influences, including Irish and ethno. The album has a universal sound, unlike other Bollywood soundtracks of the time. Later Rahman commented that he was glad that the project went to Shankar-Ehsaan-Loy and he personally loved their work in the film. But since Rahman was busy with other engagements, he did not accept the offer. Initially, director Farhan Akhtar had approached A.
